By William Franke
Beyond suggestive archetypes like Adam and Ulysses that trace at an obsession with transgression underneath Dante's overt suppression of it, there's one other and a previous feel within which transgression emerges as Dante's crucial and supreme gesture. His paintings as a poet culminates within the Paradiso in a transcendence of language in the direction of a merely ineffable, mystical adventure past verbal expression. but Dante conveys this adventure, however, in and during language and particularly in the course of the transgression of language, violating its generally representational and referential services. Paradiso's dramatic sky-scapes and extraordinary textual performances level a deconstruction of the signal that's analyzed philosophically within the gentle of Blanchot, Levinas, Derrida, Barthes, and Bataille, as transgressing and transfiguring the very feel of sense.
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Additional resources for Dante and the Sense of Transgression: 'The Trespass of the Sign' (New Directions in Religion and Literature)
Dante and the Sense of Transgression: 'The Trespass of the Sign' (New Directions in Religion and Literature) by William Franke